307 безплатни аудиофайлове за "Low Frequency"

Aethernet-cc0 motherboard iso synchronous multiplexer thx qos electric stream ecology standard low energy high frequency multiple path channel calculator core 10 20 40 adaptative entropy ideal isotropy.

Aethernet-cc0 motherboard iso synchronous multiplexer thx qos electric stream ecology standard low energy high frequency multiple path channel calculator core 10 20 40 adaptative entropy ideal isotropy.

Aethernet-cc0 motherboard iso synchronous multiplexer thx qos electric stream ecology standard low energy high frequency multiple path channel calculator core 10 20 40 adaptative entropy ideal isotropy.

Utilizing ableton vinyl distortion as a sound source to produce this experimental texture. Also a ride cymbal pitched and stretched as the source for low frequency ambience.

Seagulls chattering at brighton beach new york city. Very dry recording with only low frequency wind noise (no surf). Rec: zoom h4n.

Ambience soundscape made in cubase.

Bladerunner vibes, some sci-fi synth tones with a menacing threat.

Warning-bass! keep it low on preview! this is for testing low range frequencies in controlled environments, you've been kindly warned=d. 20hz to 190hz sine wave sweep. Length=13 secondsbpm=128bars=7. .

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

I legit took this guy sound and edited https://freesound. Org/people/klangmaler_lutz/sounds/459795/give all credit to him.

Hm. You know, use this however you want, because i'm bored of getting credited everywhere. (nice opinion, eh?).

I don't remember making this, but i'm pretty sure all i did was run some white noise through bassboost a couple times. It works for earthquakes, distant tiger roars, and other subsonic sounds.

Synthesized sawtooth sound with increasing pitch. An initial click and noise are added. The sound is low-pass filtered using a cutoff frequency that increase during the sound.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

This is an example of a low-frequency sound often recorded through the hydrophone on the mars cabled observatory - an earthquake. Mars is located on smooth ridge (36. 7125n, 122. 1869w), west of monterey bay at approximately 900 m depth (http://www. Mbari. Org/at-sea/cabled-observatory/). This magnitude 3. 8 earthquake occurred on july 18, 2016 at 05:53:31 utc (usgs data). It was part of a small earthquake swarm along the san andreas fault, approximately 50 miles east of the hydrophone. All quakes in this swarm, with magnitudes as low as 1. 9, were detected by the hydrophone. We have recorded as many as 40 earthquakes within a single day. The original recording was normalized, and speed was increased 5x to make the low frequency sound more audible. Still, subwoofer or headphones are recommended.

An artistic experiment searching for sound emissions and the limit of human hearing. Composed of infrasonic material that have a lot of harmonic distortion. Humans will be able to identify tones as low as 12hz. From 1000 hz the auditory system decreases. Natural and human produced infrasonic sounds is anywhere, all the time. The artistic idea was to use background noises, signal fidelity, harmonic distortion, low-frequency in order to foster a soundscape of infrasound that travels through space. Made for project that was never released. Think somebody might enjoy or use it.

Dead air humming static at 103. 3 on the fm radio dial.

Unwinding scotch-tape. You could hear the crackle and low-frequency sound of the tape vibrations. Mic: pro audio vt-7adc: m-audio fast track ultra 8r.

Appended series of different recordings of neighbours slamming their doors. Noise reduction and reverb applied.

Something for the acid generation. Loops perfectly, twisted in realtime, 113bpm, do what you want with it, enjoy ^_^.

Played with shaping low-frequency noise and speeding it up, made a nice, usable cymbal. Will also upload original speed.

Pounding the back wall of a uhaul truck cab from the inside with my fist. Sounds great when you add reverb. Recorded with a tascam dr-40.

Low pitch static which reminds me of 1950s sci-fi television. Created by filtering a static wave from an analog radio then slowing the pitch and adding a mechanization effect.

The sound of birds singing in springtime in a suburban forest. It was recorded with the internal microphones of sony pcm-d100 and then filtered to remove low-frequency rumble.

Hollow, reverby snare with some low rumble, fizzly highs, and nudged-down frequency ranges. ("derezzed" because i cut down some resonance).

This is the sound of wind as generated by my naturalnoisegen program. Naturalnoisegen uses several timed generators to produce complex natural noises. In this case, 80 low-frequency generators were used.

I simply generated a risset drum in audacity with all the default settings, except the frequency is 50. A really powerful sound, but only if you have a good sub woofer.

The interference produced at the low (left) end of the radio dial on a jambox set up close to a dvd burner while in operation. Sound rises and falls as the burner writes to disc.

Yet another "low, bassy thing". Will sound better once downloaded as the preview function sometimes adds compression artifacts. This one is loopable and might produce a mildly stupefied mental state in some listeners. So if you go and load it into your ipod don't try operating a vehicle or playing with power tools.

Handy h2 zoom 4ch recording of supermarket checkout line. Hum is from refrigerator units nearby. Try using eq to rolloff the low end frequency hum of the refrigerator.

Ambience field-recording in windy forest. I've made pseudo windscreen from my t-shirt :). Some mic rumbles on low frequency. Hp filter may help.

1st track :generate a pink noisedelete frequencies up to 2khz with the equalizershape a crescendo - decreshendo envelope. 2nd track :generate few very low frequencesmake it alternate four times betwin high and low strength with envelope toolapply a compressorput a decrescendo envelope. 3rd track :generate a 300hz sinusput an envelope with an agrssive attack and a rapid end (0. 1s length)make it correspond with the end of the second low echo (track 2)generate the same sound, lower, with a 600hz and 1200hz sinus, corresponding respectively to the third and the fourth low echo.

Wet peas dropped in a glass bowl. Recorded through audacity with an audio technica a2020 microphone. I reduced some backround noise and sent it through a high pass to reduce low frequencies.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Could be used as moving sounds for something large or machine-like. Produced by manipulating this sound: http://www. Freesound. Org/people/soundcollectah/sounds/158479/.

Recording of waves hitting the rocks. Boat engine is causing the low frequencies. Sound devices 633/w sennheiser mkh 416.

I first generated a sinusoid at 440 hz with audacity, i then changed the pitch to f#/gb low and i applied a tremolo effect wetness 40% and a frequency of 4. 0 hz. We can also ear crossfades in and out.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.